Recently, live music has become a prominent feature of Bengaluru's arts scene, with Carlton Braganza standing out as a key figure in this movement. Known for his diverse roles as an artist, restaurateur, designer, writer, curator, and entertainer, he has continually engaged audiences through innovative approaches, such as the introduction of the online music series 'Jukebox Jammies' during the COVID lockdown period. In an interview with Bangalore Times, Carlton discusses the evolving music landscape in the city, highlighting the lack of venues and support for live music.
Reflecting on the music environment in Bengaluru, Carlton observes an ongoing evolution where digital platforms have become essential for artists to connect with audiences. Despite the flourishing online content, he notes a shortage of venues and audience interest in live music performances. Carlton attributes this shift to financial considerations, explaining that live music does not generate significant revenue compared to more commercial forms of entertainment, catering to the preferences of the city's newer audience demographic.
Addressing the decline in emerging bands over the past decade, Carlton acknowledges the visibility of individual artists on platforms like YouTube, Spotify, and Instagram, but points out the lack of substantial band formations. He emphasizes the importance of cultivating a receptive audience base to nurture a thriving music scene, emphasizing the need for communities that embrace diverse musical genres and trends while lamenting the diminishing sense of audience loyalty, particularly among live music enthusiasts.Venues like Opus, The Humming Tree, and BFlat lack a distinct identity, according to Carlton. He notes that the band culture seems to be dwindling, as bands struggle to sustain themselves in the past decade. While there have been successful acts like K-pop groups, there is a scarcity of new bands emerging. Carlton advocates for fostering new musical forms, expressing a preference for street performances such as busking as a genuine test of talent. He suggests that our mindset towards music venues needs to evolve, proposing unconventional spaces like old churches, defunct hospitals, and local parks for performances instead of traditional settings.
When it comes to the use of artificial intelligence (AI) in music, Carlton believes that while it may be seen as a gimmick, it can certainly enhance creativity. He acknowledges that AI tools have enabled less skilled musicians to rival more talented ones, but he sees the potential benefits for stimulating creativity.
Carlton played a key role in the famous Opus KroaKnights in Bengaluru, which he has transformed into a singing competition called KroaKING held at the Kempegowda International Airport. He reminisces about the legendary KroaKnights event, highlighting the talented singers who participated. The revival of this event at the city's airport could become a regular fixture, celebrating the musical heritage of old Bengaluru."This event is special as it revives the essence of classic Bengaluru. Many former winners and finalists from our previous events have now established a decade-long presence in the industry. I have invited them to join as judges and mentors," he explains. When discussing the upcoming Coldplay concert, Carlton expresses, "I saw them live at the Stade de France. They put on an amazing show, but their music has broad appeal. Personally, I'm not a huge fan of it."
